摘要："sitting"课题是由中国美术学院设计艺术学院工业设计系与德国卡耳鲁厄斯媒体艺术大学(HFG)产品设计系合作进行研究的。双方以中德两种不同的文化背景为研究基础,对各自生活环境中与"sitting"相关的生活习惯切入调查,进行对比与分析。同时,在生活变成一种体验过程的今天,通过中德关于坐具的不同观念、方法及形态研究,强调以实验性研究方式不断探寻解决生活中所遭遇问题的新观念与新方法。

摘要：今天,吃、穿、用、住、游样样离不开"文化",文化城市的发展与实践受到重视。中国美术学院工业设计系以人文思考、人文关怀、人文责任介入到城市建设中,从道路设施到城市家具等,联络各国进行了多次探索性的、具有强烈时代感的设计实验教学。从课题的研究中我们深刻地体会到。

摘要：“When sacrifices are to be offered to ancestors,Shi(尸)is *** ceremonial convention has been kept intact in the dynasties of Yu,Xia,Shang and Zhou.”Shi refers to a person alive in place of the deceased to be *** is required to stand in the sacrificial ceremony in Xia dynasty,which is called the standing Shi,while in dynasties of Shang and Zhou,Shi is supposed to be seated,calling the sitting *** sitting posture of Shi at the sacrificial ritual then is different considerably from the way we sit on the buttocks *** is expected to sit on the ***,Shi should keep a kneeling position,with knees on the ground and buttocks on the heels whilst his head bowing and his back ***,Qin Bu Shi(寝不尸)in The Analects of Confucius should be interpreted as one should not bother to adopt the sitting Shi posture while retiring to bed,rather than the version,as has been annotated by Yang Bojun,“Confucius does not sleep(lying stretched out)like a dead body.”