摘要：The repair and regeneration of the diseases and damaged cartilage tissue are one of the most challenging issues in the field of tissue engineering and regenerative medicine. As the cartilage is a non-vascularized and comparatively acellular connective tissue, its ability to the self-restoration is limited to a large extent. Although there is a countless deal of experimental documents on this field, no quantifiable cure exists to bring back the healthy organization and efficacy of the impaired articular cartilage. Tissue reformative approaches have been of excessive curiosity in restoring injured cartilage. Bioengineering of the cartilage has progressed from the cartilage focal damages treatment to bioengineering tactics progress aiming the osteoarthritis procedures. The main focus of the present study is on the diverse potential development of strategies such as various categories of biomaterials applied in the reconstruction of the cartilage tissue.

摘要：Contemporary folk dance in Xuzhou is deeply influenced by Chu- Han culture,presenting some clear regional characteristics of Chu-Han culture like valuing ritual,grandeur,humanist spirit of enterprising and pursuing *** order to promote the healthy development of contemporary folk dance in Xuzhou,and realize the interaction with Chu-Han culture,it is of great significance to create Chu-Han brand culture,to build dialogue mechanism with folk dancing culture in Xuzhou,to make connection with Chu- Han culture industry,and to fully express the artistic features of dance then in this area etc.

摘要：From the geographical point of culture, the thesis illustrates the relationship between creator design activities and Specific geographical conditions, which are related to cultural artifacts technical level. Meanwhile, discussing the important significance of geographical design which is based on Chinese national conditions, and finding several new methods and proposed a regional entry points. Geographical design is one of the main design methods in the future which is related to the social, natural and harmonious development.

摘要：本文旨在从形式和概念两方面探析中世纪早期中国巍峨的佛教建筑的南亚原型。笔者认为,印度高耸神庙建造背后的几个中心概念,即祭坛、山和宫殿,对佛塔建筑的重要意义不逊于塔中供奉的舍利。这类神庙建筑依托充满精神能量的设计蓝本,其形制和平面类似于最原始的祭坛和南亚宇宙观中巍峨壮观的须弥山,围绕垂直中轴形成多层级宫殿建筑,以承袭作为世界始源的第一祭祀所拥有的原动力。一座完美的宇宙山就此构建而成,其外部表现为巍峨高耸的宫殿,以作为供奉佛教或是印度教神祗的圣殿。其落成后,对再生之灵的祭祀崇拜不再局限于特定地方圣地(南亚或东亚),信徒在此也可以真切感受到圣山的精神氛围。

摘要：The earliest known image of the binding of Isaac,known as the Akedah,is on a Torah shrine in a synagogue in Dura Europos,Syria dating before 244(fig.1).It shows a fully developed iconography of a young Isaac on the altar with the burning wood,the ram by the tree,Abraham holding the knife,and the hand of God issuing from a *** the visual narrative is largely based on the account of the Akedah in Genesis 22,it also relies on details found in other Jewish literary sources that include the Talmud,Targum Onkelos,Targum Pseudo-Jonathan,commentary on Genesis by Rashi,Midrash account of Pirkei De Rabbi Eliezer,and Genesis *** paper will present unexplored Jewish sources for the iconography of the Akedah/Sacrifice of Isaac in art of Late Antiquity.