摘要：China-Africa corporate advertising is emerging as an example of the corporate advertising genre in response to the specific rhetorical context of China-Africa win-win *** on Bhatia’s Critical Genre Analysis(2017),this study explores the text-internal and text-external generic features of China-Africa corporate advertising by analyzing 50 collected *** analysis of text-internal prominence shows that China-Africa corporate advertising is unique in its frequent use of win-win-oriented and sector-dependent technical lexicons to indicate the promotional *** is also found that move structures vary across different sub-types of ChinaAfrica corporate ***-externally,the findings reveal a mixture of different discourses within the discursive space of China-Africa corporate *** addition,the results suggest that Chinese companies invest more rhetorical efforts in enhancing the China-Africa community than African counterparts who tend to perceive China-Africa cooperation as the main avenue to attract worldwide *** findings have some practical implications for discourse construction in the Belt and Road Initiative context and shed light on the evolving nature of advertising discourse,particularly in the China-Africa win-win business context.

摘要：Chinese mask culture has a long history and a great variety. The protection of Chinese mask culture has made a lot of progress at the beginning of the 21st century. However, the protection of China' mask culture is still facing great challenges. First, the lack of inheritors is the most important issue in the cultural heritage of Chinese masks. Second, Shoddy mask products also influenced the development of mask art. Third, the issue of intellectual property protection of masks meet some difficult. Fourth, the basic activity place of folk mask art is the countryside. Only by protecting the whole mask art can we effectively protect the living mask. We should explore an approach for holistic conservation.

摘要：“When sacrifices are to be offered to ancestors,Shi(尸)is *** ceremonial convention has been kept intact in the dynasties of Yu,Xia,Shang and Zhou.”Shi refers to a person alive in place of the deceased to be *** is required to stand in the sacrificial ceremony in Xia dynasty,which is called the standing Shi,while in dynasties of Shang and Zhou,Shi is supposed to be seated,calling the sitting *** sitting posture of Shi at the sacrificial ritual then is different considerably from the way we sit on the buttocks *** is expected to sit on the ***,Shi should keep a kneeling position,with knees on the ground and buttocks on the heels whilst his head bowing and his back ***,Qin Bu Shi(寝不尸)in The Analects of Confucius should be interpreted as one should not bother to adopt the sitting Shi posture while retiring to bed,rather than the version,as has been annotated by Yang Bojun,“Confucius does not sleep(lying stretched out)like a dead body.”