摘要：After the October Revolution, those against the Bolshevik regime started to leave Russia, including Russian aristocrats, officials, capitalists and intellectuals. Some of them were exiled to the cities of China. Among them, Shanghai was the largest after Harbin Russian overseas center. Russian emigres in Shanghai managed to create their own cultural life, and some of them were even engaged in literary creation. Thus, Russian emigre literature came into being in Shanghai. In order to have a more comprehensive grasp of Shanghai Russian literature, this thesis provides a general introduction about newspapers, periodicals, publishing houses, art and literary groups, main writers and creation themes of overseas Russians in Shanghai.

摘要：China-Africa corporate advertising is emerging as an example of the corporate advertising genre in response to the specific rhetorical context of China-Africa win-win *** on Bhatia’s Critical Genre Analysis(2017),this study explores the text-internal and text-external generic features of China-Africa corporate advertising by analyzing 50 collected *** analysis of text-internal prominence shows that China-Africa corporate advertising is unique in its frequent use of win-win-oriented and sector-dependent technical lexicons to indicate the promotional *** is also found that move structures vary across different sub-types of ChinaAfrica corporate ***-externally,the findings reveal a mixture of different discourses within the discursive space of China-Africa corporate *** addition,the results suggest that Chinese companies invest more rhetorical efforts in enhancing the China-Africa community than African counterparts who tend to perceive China-Africa cooperation as the main avenue to attract worldwide *** findings have some practical implications for discourse construction in the Belt and Road Initiative context and shed light on the evolving nature of advertising discourse,particularly in the China-Africa win-win business context.

摘要：Rudolf Arnheim’s Gestalt art theory examines visual perceptual forces and the phenomenon of“isomorphism”in psychological movement by exemplifying Chinese images as T’ai-chi *** raising these Chinese examples,he points out the similarities of western and Chinese aesthetic *** deploys Chinese thought,especially Taoism,to complement the deficiency of western *** thought enlightened him to a new path to critically reflect the western traditions of dichotomies,which sharply divides perception from thinking,and art from *** examines Chinese art from a perspective of western psychology,and also reflectson western theories taking Chinese culture as a mirror,in order to supplement western experience and construct a universal scientific aesthetic theory.

摘要：Shakespeare’s Macbeth and Marlowe’s The Tragedy of *** are important dramatic works of the English *** the distance between their periods of creation,Shakespeare and Marlowe share the same background of social life,and in the same ideological and cultural context,the two playwrights coincidentally deal with the theme of“nothingness”in their respective *** purpose of this paper is to compare and contrast Macbeth and The Tragedy of ***,and to compare the similarities and differences in characterization and narrative techniques between the two works in exploring the theme of“nothingness”.

摘要：The Mao Dun literature Prize is one of the well-known literary awards in China,and in the process of selection over the years,the Mao Dun literature Prize has developed its own aesthetic orientation.A comparison is made between the early generation of Xu Mao and His Daughters and the recent award-winning work,A Tale of the Wind,to discover the aesthetic heritage in its flux,which is enlightening for the literary criticism and an orientation for the literary creators.

摘要：The study of Dragon-Carving and the Literary Mind in Russia began around *** Chapter“Tracing the origin of the Dao”translated by ***,the founder of modern Russian Sinology,is the earliest Russian translation of this *** proposed a lot of problems inspiring future generations to think about,standardizing the direction for the future researchers of“Dragon Study”in Soviet ***’s textbook Medieval Eastern literature(1970),***’s Monograph Chinese Literary Theory in the Early19-20th century(1971),V.A.K'ri'vzo'v’s paper Discussion on Liu Xie’s Aesthetic Views(1978),***’s Monograph Ideology of Chinese literature at the Turn of the Ancient and the Middle Ages(1979),and Li Fuqing’s paper published after the dissolution of the Soviet Union,Genre of Chinese Medieval literature(1994),have made a useful discussion of the concept and terminology,literary theory and aesthetic ideology of the Dragon-Carving and the Literary *** the monograph Tai Chi:the Global Model in Chinese literature and Culture in the 1-13th Century,published by *** in 1995,Dragon-Carving and Literary Mind was interpreted by universe ontology,which reflects the rising of new academic trend in the research of“Dragon Study”in *** recent years,young talents begin to join in Russian Dragon-Carving and Literary Mind research,and doctoral thesis focused on it have been published,showing a good situation that this research has qualified successors.

摘要：Literary translation should not solely focus on“what to translate”,but also on“how to translate”,extending the perspective to the target audience and *** is crucial to recognize that translation involves more than rendering words;it entails navigating cultural differences and facilitating literary communication during the process of language *** comparing and contrasting Mo Yan’s work of“蛙”with Howard Goldblatt’s English translation Frog from both the two aspects of language and culture and the four perspectives of alienation and naturalization,deletion and addition,processing of address and dialogues,symbols of animal cultural,this study explores the phenomenon of creative treason in literary translation,and provides a specific and in-depth analysis to offer valuable insights for the translation of Chinese literature.

摘要：The thesis bases on James Joyce’s short story collection the Dubliners as the main text,supplemented by other works,and from a poetic perspective,focuses on the relationship between Joyce’s exile life and his *** is widespread,but its mental activity is not *** wanders overseas,but his nostalgia is not directly expressed,and even shows his disgust with *** poetic interpretation of this contradictory phenomenon can help us understand Joyce’s personal ideas,literary thoughts,and feelings of home and *** then,it may help us understand why exiled writers often have complex and contradictory feelings about their homeland.

摘要：The essence of the character “Nao” had already been fostered in the western Han Dynasty. It is the latter word of the expression “Re Nao”, which essentially refers to lively and bustling with excitement in folklore, maintains immensely prolific social functions. Re Nao (jollification) exists as an integral part in the internal structure of rite of passage or the adult rituals of transit. Re Nao aids in devising a warm atmosphere and reorganizing the living environment. It is the way to go through the threshold stage, which leads to the entrance to a new stage, while the ceremonial undertakings under this threshold stage help in eradicating pollution and restoring cleanliness. The internal mechanism of Re Nao includes the transitional ceremonies in the perilous double test of nature and society: while in the folk custom ceremony, the ritualistic suppressing and trapping of demons is completed by the shaman. Da Nao (causing chaos and noise) breeds danger to vitality and harmony or chaos for the coexistence of humans and gods.“Da Nao” and “Re Nao” are popular complementary representations of folk ceremonial activities. It was witnessed in the past, celebrations like New Year’s Eve, Lantern Festival, Fang Xiangshi (Chinese ritual exorcist—one who sees evil in all four directions), Tongzi (cosplay done by the villagers) and the festival demonstrating invisible transcendence of the world (world of ghosts) displayed fierce spirit and were eminently lively. It can be said that for the spiritual time and sacred space of the traditional society, it is vital to periodically perform the rites of “Da Nao—beheaded demon”: and perform the scenes of “Re Nao” ceremony through Da Nao rites to fulfill the purpose of purification.

摘要：The Japanese movie“0.5mm”connects the life clips between the nursing-care helper Sawa and several old people in the form of a road movie,highlighting many thought-provoking social problems,and revealing how the elements of emotional abuse hidden between the old people and their relatives and friends affect people’s dignity and decency,and at the same time trying to offset the persecution from the emotional abuse with the warm kindness between the elderly and the care *** film’s implicit description of emotional abuse and explicit display of good deeds are blended in the quiet and mysterious narrative character,achieving the effect of synchronizing the artistic narrative rhythm with the flow of life,reflecting the unique aesthetic characteristics of Japanese films.