摘要：The female images in Shakespeare’s plays are diverse and colorful,showing the typological deformation value of *** brave female women in his plays,such as Juliet in Romeo and Juliet,Portia in The Merchant of Venice,Cordelia in King Lear,are the same type and equivalent topological *** artistic terms,the three women of the same type with their own characteristics are the deformed topological space under the principle of equivalence,which is embodied vividly in the source *** thesis purposed to investigate whether the translation of Zhu Shenghao also reflected the equivalent deformation of Shakespeare’s original *** study texts the validity of the target text from the source text,proves the evaluation mechanism and function of topology in the process of translation and explains how the translation is equivalent to the original.

摘要：Topology,as a branch of mathematics,studies on the invariability of topological spaces after topological transformation,whose essence is topological *** the perspective of cultural inheritance and coherence,translation is essentially topological *** literary translation,complete equivalence is almost *** equivalence can be used to transform the text dynamically,which means that the translation remains the fundamental properties of the original ***,people can understand the meaning of the text based on another culture from different cultural *** the view point of topology,the present paper purports to examine Liang Shiqiu’s translation of Shakespeare’s Midsummer Night’s Dream,and found that the translation remains the features of source text by rendering effective topological strategies to realize topological equivalence and promote cultural exchanges between China and the West.