摘要：Rudolf Arnheim’s Gestalt art theory examines visual perceptual forces and the phenomenon of“isomorphism”in psychological movement by exemplifying Chinese images as T’ai-chi *** raising these Chinese examples,he points out the similarities of western and Chinese aesthetic *** deploys Chinese thought,especially Taoism,to complement the deficiency of western *** thought enlightened him to a new path to critically reflect the western traditions of dichotomies,which sharply divides perception from thinking,and art from *** examines Chinese art from a perspective of western psychology,and also reflectson western theories taking Chinese culture as a mirror,in order to supplement western experience and construct a universal scientific aesthetic theory.

摘要：Shakespeare’s Macbeth and Marlowe’s The Tragedy of *** are important dramatic works of the English *** the distance between their periods of creation,Shakespeare and Marlowe share the same background of social life,and in the same ideological and cultural context,the two playwrights coincidentally deal with the theme of“nothingness”in their respective *** purpose of this paper is to compare and contrast Macbeth and The Tragedy of ***,and to compare the similarities and differences in characterization and narrative techniques between the two works in exploring the theme of“nothingness”.

摘要：The Mao Dun literature Prize is one of the well-known literary awards in China,and in the process of selection over the years,the Mao Dun literature Prize has developed its own aesthetic orientation.A comparison is made between the early generation of Xu Mao and His Daughters and the recent award-winning work,A Tale of the Wind,to discover the aesthetic heritage in its flux,which is enlightening for the literary criticism and an orientation for the literary creators.

摘要：The thesis bases on James Joyce’s short story collection the Dubliners as the main text,supplemented by other works,and from a poetic perspective,focuses on the relationship between Joyce’s exile life and his *** is widespread,but its mental activity is not *** wanders overseas,but his nostalgia is not directly expressed,and even shows his disgust with *** poetic interpretation of this contradictory phenomenon can help us understand Joyce’s personal ideas,literary thoughts,and feelings of home and *** then,it may help us understand why exiled writers often have complex and contradictory feelings about their homeland.

摘要：Literary translation should not solely focus on“what to translate”,but also on“how to translate”,extending the perspective to the target audience and *** is crucial to recognize that translation involves more than rendering words;it entails navigating cultural differences and facilitating literary communication during the process of language *** comparing and contrasting Mo Yan’s work of“蛙”with Howard Goldblatt’s English translation Frog from both the two aspects of language and culture and the four perspectives of alienation and naturalization,deletion and addition,processing of address and dialogues,symbols of animal cultural,this study explores the phenomenon of creative treason in literary translation,and provides a specific and in-depth analysis to offer valuable insights for the translation of Chinese literature.

摘要：Language harmony means that different languages and their dialects can coexist in harmony in the same *** is not only a linguistic issue,but also a social *** an independent branch of language study in China,language harmony study covers the following topics:The value of language harmony,the types of language harmony,the factors that affect language harmony,the construction path of language harmony,*** main research methods include:case study,a combination of synchronic and diachronic research and multidisciplinary *** results of relevant studies of language harmony in China show that,in the past fifteen years,the study of language harmony in China has grown and presents the following characteristics:The results are mainly papers(206 papers)and a few monographs(6 books);the initial stage is dominated by theoretical discussions;subsequently,the case study is in a dominant position;there are more case studies than theoretical studies in total;case study results focus on a few topics;case studies are still the current focus of study;the total number of results has shown a decreasing trend after *** these recent findings,case studies of language harmony in China lack width and profundity,and its theoretical discussion still needs to be deepened and improved.

摘要：Poetic metaphor is a kind of conceptual structure formed by conceptual *** is the cognitive means,which is used by the poets to understand things and express *** a conceptual structure,the poetic metaphor expresses certain semantic content,and its meaning construction is a kind of non-linear integration *** the translation of poetic metaphor,the translators should take the conceptual integration theory as the guide,construe the poetic metaphor firstly,in order to understand that what entities are participated in the conceptual integration of the poetic metaphor,and how the process of conceptual integration is;then,take the construal results as the basis,and take the cultural background of the target language as a reference,to reconstruct poetic metaphor in the target language,so as to achieve the purpose of translation and information *** the process of poetic metaphor translation,the translator’s cognitive model,ability and preference,the proficiency of the source language and target language,the familiarity of the culture of the source language and target language,personal encyclopedic knowledge reserve,and personal language expressing preference will affect the translation results of poetic *** addition,when the translators reconstruct the poetic metaphor in the target language,they must follow the principle of semantic consistency,cultural adaptation and universality.

摘要：Sergei Eisenstein was labelled as a theory master of ＂montage＂ for a long time, but also film theory pioneer that seems to be somewhat ＂outdated＂ in the eyes of the modem people. In fact, he was one of the most important figures who created a few of theories and also were good at film creation in the film history of over years. He was not only an outstanding master-level film director, but also film theorist who created rich thoughts to the world. He often discussed the film theories with intercommnnity by taking his own works such as Bronenosets Potyomkin for an example, and simultaneously connected paintings （especially the Oriental painting）, music, literature and others with new arts in the writing of theories, so that the construction of his own film theories was accomplished. The focus of this paper is the later consideration of Sergei Eisenstein on the film works structure. Also, his theoretical system and contemporary significance are rethought by studying a series of thoughts such as ＂works structure＂ , ＂dynamic characteristics＂ , ＂logarithmic spiral＂ , ＂golden section＂ and ＂passionate structure＂ .