摘要：Two types of resonance absorbers, i.e., Salis- bury screens and Jaumann absorbers are systematically investigated in solar radiation absorption. Salisbury screen is a metal-dielectric-metal structure which overcomes the drawback of bulky thickness for solar spectrum. Such structures have a good spectral selective absorption property, which is also insensitive to incident angles and polarizations. To further broaden absorption bandwidth, more metal and dielectric films are taken in the structure to form Jaumann absorbers. To design optimized structural parameters, the admittance matching equations have been derived in this paper to give good initial structures, which are valuable for the following optimization. Moreover, the analysis of admittance loci has been conducted to directly show the effect of each layer on the spectral absorptivity, and then the effect of thin films is well understood. Since the fabrication of these layered absorbers is much easier than that of other nanostructured absorbers, Salisbury screen and Jaumann absorbers have a great potential in large-area applications.

摘要：Performing arts and movies have become commercial products with high profit and great market potential. Previous research works have developed comprehensive models to forecast the demand for movies. However,they did not pay enough attention to the decision support for performing arts which is a special category unlike movies. For performing arts with high-dimensional categorical attributes and limit samples, determining ticket prices in different levels is still a challenge job faced by the producers and distributors. In terms of these difficulties, factorization machine(FM), which can handle huge sparse categorical attributes, is used in this work first. Adaptive stochastic gradient descent(ASGD) and Markov chain Monte Carlo(MCMC) are both explored to estimate the model parameters of FM. FM with ASGD(FM-ASGD) and FM with MCMC(FM-MCMC) both can achieve a better prediction accuracy, compared with a traditional algorithm. In addition, the multi-output model is proposed to determine the price in multiple price levels simultaneously, which avoids the trouble of the models' repeating training. The results also confirm the prediction accuracy of the multi-output model, compared with those from the general single-output model.

摘要：层状氧化物因在钠离子电池正极中表现出的优异性能而引起了前所未有的关注,其中两种典型的P2和03型材料各具优势.因此,设计和开发包含P2和03材料的复合材料成为一种新的选择.但对这种具有多相结构的复杂正极材料的阴离子/阳离子的行为和结构演变过程的研究仍缺乏全面且深入的研究.本文基于两种典型的具有相同元素组成但不同的晶体结构的正极材料:P2型Na0.67Ni0.33Mn0.67O2和O3型NaNi0.5Mn0.5O2,开发了一种成分为Na0.732Ni0.273Mg0.096Mn0.63O2的双相材料,其中包含78.39 wt%的P2相和21.61 wt%的O3相.晶体结构分析和密度泛函理论(DFT)计算结果表明,该复合材料倾向于形成原子水平上的共生结构,且形成的双相结构的复杂晶格条纹可以阻止电极过程中过渡金属和氧原子迁移.相对于单相结构,双相结构提高了正极材料的储钠容量和稳定性,并增强了阴离子O2-/n-氧化还原的可逆性.此外,P2和O3结构共生的类异质结结构具有共享相边界,其形成的互锁效应可有效缓解P2和03结构在电极过程产生的晶格滑移和Na+离子脱出/嵌入的晶格应力.因此,共生的P2/03复合材料表现出较高的容量、较好的循环性能(0.1 C倍率下约有130 mAh g-1容量,循环200次后容量保持率为73.1%)和可逆的晶体结构转变.本文研究证实合理设计的双/多相正极可用于高能钠离子电池的应用.

摘要：This paper proposes new ways to understand the sense of universality in music through a reflection and analysis of George Crumb＇s Black Angels （Images 1）： Thirteen lmages from the Dark Land, one of the defining musical expressions of the Vietnam War era. It centers on an analysis of the relationship of the body/self to an ＂ecology of war＂ produced through Crumb＇s music that renders these selves indistinct within this musical geography. The selves that inhabit Black Angels could be that of anybody in particular since Crumb seeks to invoke in his music the primeval experience of terror that inhabits in all of us as the inheritors of mankind＇s violence. This sense of the universal militates against the desirable qualities of popular music that rely on the production of autonomous and singular selves that make the distinction between enemy and friend possible and distinct. We focus on Crumb＇s use of archaisms, his construction of time in this piece, and the author＇s overall purpose to invoke a time of war rather than to reflect the conditions of war, in order to delineate the contours of the universal time and space producing the undifferentiated primeval self of war. We conclude that although Crumb＇s rejection of the national self deprives the piece of a salient place in the popular cannon of the war, it has left an intellectual legacy on the times of the Vietnam War that deserves to be preserved.